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1967 Martin D-28 (Vintage) Photo 1 1967 Martin D-28 (Vintage) Photo 2 1967 Martin D-28 (Vintage) Photo 3 1967 Martin D-28 (Vintage) Photo 4 1967 Martin D-28 (Vintage) Photo 5 1967 Martin D-28 (Vintage) Photo 6 1967 Martin D-28 (Vintage) Photo 7 1967 Martin D-28 (Vintage) Photo 8 1967 Martin D-28 (Vintage) Photo 9 1967 Martin D-28 (Vintage) Photo 10 1967 Martin D-28 (Vintage) Photo 11 1967 Martin D-28 (Vintage) Photo 12 1967 Martin D-28 (Vintage) Photo 13 1967 Martin D-28 (Vintage) Photo 14 1967 Martin D-28 (Vintage) Photo 15 1967 Martin D-28 (Vintage) Photo 16 1967 Martin D-28 (Vintage) Photo 17 1967 Martin D-28 (Vintage) Photo 18 1967 Martin D-28 (Vintage) Photo 19 1967 Martin D-28 (Vintage) Photo 20 1967 Martin D-28 (Vintage) Photo 21 1967 Martin D-28 (Vintage) Photo 22 1967 Martin D-28 (Vintage) Photo 23 1967 Martin D-28 (Vintage) Photo 24 1967 Martin D-28 (Vintage) Photo 25 1967 Martin D-28 (Vintage) Photo 26
Martin · Vintage 1967

1967 Martin D-28 (Vintage)

Vintage original from 1967 · Sitka/rosewood · the dreadnought, done right

On request
★ Ede's Private Stock — possibly available on request for a tempting offer
Private Stock
ModelMartin D-28 dreadnought
Year1967 (vintage)
TopSolid Sitka spruce
Back & sidesSolid rosewood
NeckMahogany
FretboardRosewood
ConstructionDreadnought · acoustic

Some instruments define a category. The Martin D-28 is one of them. When anyone anywhere talks about dreadnought tone, this is the guitar they mean, and they have been for the best part of a century. It's the yardstick everything else gets measured against.

This one is from 1967, and on an acoustic that means something quite different than it does on a solidbody. With an electric you can argue about vintage substance; with an acoustic you can't. A solid Sitka spruce top that's been moving for nearly sixty years simply sounds different from a new one. The cell structure of the wood changes, resins crystallise, and the timber becomes stiffer and lighter at the same time. What comes out is a tone that's more open, more complex and quicker to respond than any new instrument, however well built.

The classic D-28 recipe does the rest: Sitka spruce for the top, solid rosewood for back and sides. Rosewood gives you the deep, carrying bass and the glass-clear highs with their characteristic overtone structure, while the spruce top provides the cut and an almost inexhaustible dynamic range. This guitar can whisper, and it can fill a room.

Which is exactly why the D-28 has been the tool of choice in bluegrass, folk and songwriting for decades, and anywhere an acoustic has to carry on its own. It's loud enough to hold its ground against a banjo and a fiddle, and balanced enough to work as the only thing behind a voice.

And then there's the character only a played instrument develops. The finish has hardened over the decades, the wood has settled, and the guitar carries the marks of everyone who played it before us.

A genuine vintage gem from Ede's Private Stock.